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Orange County Performing Arts Center Information:

When the Orange County Philharmonic Society (later renamed the Philharmonic Society of Orange County) recognized an urgent need for a adaptable concert facility in Orange County, they planned to make the OC Performing Arts Center building a major cultural center in the mind of the community but wasn't shaped until 1969. Later, the Newport Harbor Foundation, conducted a possibility study, which found that Newport Beach would not be an ideal site for the new Orange County Performing Arts center.

In February 1979, Elaine Redfield, a longtime Orange County arts campaigner and South Coast Repertory Trustee, wrote a letter to Henry T. Segerstrom asking for Orange County Performing Arts Center the ground adjacent to South Coast Repertory's newly opened Fourth Step Theater. Redfield recommended that this five-acre plot of major real estate near the burgeoning South Coast Plaza shopping center would be an perfect location for the planned Orange County Music Center (as the planned facility was then called). The Segerstroms, who had already established their firm promise to the arts in Orange County by contributing the land for SCR's new theater, took the suggestion under consideration.

In 1999, a six-acre package of land across the street from the facility was needed to The Center by the Segerstrom family in order to give space for the growth of South Coast Repertory and Orange County Performing Arts Center , the Orange County Performing Arts Center new venues, and the final building of a illustration arts campus. The whole OC Performing Arts Center compound will stand the name Segerstrom Center for the Arts. In 2000, Henry Segerstrom provided the 40 million dollars Orange County Performing Arts Center lead gift to the capital campaign. The Center determined to honor Segerstrom and his late wife, Renée, by identifying the concert hall after them. The 500 multi purpose space has been named Samueli Theater. The Samuelis' benefit in the community is varied and reaches far further than the arts, encompassing educational institutions and community projects as well.

The Orange County Performing Arts Center is Located in Costa Mesa California and go all-out to bring excellent international and national performances of work of art, dance, musical theatre and opera to Orange County and nearby areas. The ancestry of the Orange County Performing Arts Center arrive at back more than 45 years, when the newly shaped Orange County Philharmonic Society recognized a pressing need for a adaptable concert facility in Orange County.The assembly examined approximately 19 sites over a period of six years . Of these different sites, three finalists made the short list . They were sure that such an institution would serve as catalyst for the enlargement and growth for the county’s regional arts organizations. As a consequence, the three then-Managing Partners of C.J. Segerstrom and Sons, Ruth Segerstrom, Henry T. Segerstrom and Harold (Hal) Segerstrom, generally agreed to the gift of land. On May 15, 1979, the Board of director of the performing arts center accepted the Segerstrom family’s kind offer of five acres of ground for the proposed ability for the Orange County.

Shortly thereafter, the site was evaluated, market research studies were conducted and fundraising strategies were explored. When all the studies were complete and the consequences deem positive, the Board of Directors chose the architectural firm, The Blurock Partnership of Newport Beach, California, operational in conjunction with Caudill Rowlett Scott of Houston, Texas, to consult on and devise the project for the Orange County Performing Arts Center. Charles Lawrence of CRS was designated lead architect, and the team began a string of consultations with lighting, acoustics and automated systems specialists Orange County Performing Arts Center. A grouping of acoustical consultants had previously been interview. The Board chose to keep the services of the illustrious acoustic plan expert Dr. A. Harold Marshall of New Zealand, one of the most important figures in the meadow. Marshall was the main member of a group called Joint Venture Acoustical Consultants, which also included Jerald Hyde of St. Helena, California and Dennis Paoletti of San Francisco.

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